Flat Apple Log,graded in one click.
Ten hand-built cinematic LUTs for Apple Log footage — each one measurably distinct, no filler duplicates. Drop one on your clip, tweak the intensity, done.
▸ WATCH THE LIVE GRADE — real footage, real LUT ›
Ten looks, each its own grade
Previews rendered from the actual LUT files — this is exactly what lands on your footage.
Built for Log — and for everything else
Every look ships twice, so it works whatever you shot.
For Log footage
Apple Log → Rec.709 conversion is baked in. Drop it
straight onto Apple Log video from your iPhone 15/16 Pro (or a
Log photo) — no color-space setup needed. Folder
/AppleLog.
For any photo or video
The creative grade only — apply to normal, already-graded footage or
any JPEG/RAW photo in Photoshop, Lightroom or your editor. Folder
/Standard_Rec709.
Verified distinct
Plenty of packs pad the count with near-identical copies. Every look here was measured to be genuinely different.
Get the pack
- 10 cinematic LUTs, each in 2 variants (20
.cubefiles) - Apple Log and Standard Rec.709 folders
- Step-by-step install guide for every major editor
- Unlimited personal & commercial use
- Instant download · free future updates
Questions
Do I need to shoot in Apple Log?
For the /AppleLog files, yes — turn on Apple Log on an iPhone 15/16 Pro (or use Blackmagic Camera / Kino). Shot something normal? Use the /Standard_Rec709 files instead — they work on any footage or photo.
Which apps are supported?
Anything that loads a .cube LUT: DaVinci Resolve, Premiere
Pro, Final Cut Pro, CapCut, plus photo apps like Photoshop and
Lightroom.
Do I set an input color space in DaVinci?
With the baked-in /AppleLog LUT on an unmanaged (DaVinci YRGB) project, no — feed raw Apple Log straight in. If you run a Color Space Transform yourself, use the /Standard_Rec709 look after it.
What's the license?
Unlimited personal and commercial projects, no attribution required. You may not resell or redistribute the LUT files themselves.